The willow branch is the defining attribute of Yangliu, or Yangzhi, Guanyin. In some works it appears with a vase, bringing the branch, fingers and vessel into the same composition. Identifying the branch matters: a lotus or another plant should not be described as willow simply because it is held by a Guan Yin figure.
Consider how clearly the branch can be seen from your intended viewing position, as well as the overall height and base. Kuan Yin figures with a willow can be compared with Quan Yin holding a vase or water-pouring Guanyin when choosing the subject. The actual material and available size belong to each individual piece.
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Soft blue robes, a white veil and pink lotus petals give Cilian Guanyin a gentle palette for a home shrine. One hand carries a willow branch; the other supports a slender vase. Made in Dehua ceramic, this seated statue stands 30.5 cm (12.0 in) tall.
Warm copper and a broad lotus throne give this seated Willow Guanyin a substantial presence. A leafy sprig rises beside the face; a slender water vase lies across the opposite palm. Four heights range from 22.5 cm (8.9 in) to 48.2 cm (19.0 in), with a photograph for each size.
The vase points toward the lotus pedestal, balanced by a slender willow in the raised hand. Warm reddish-brown copper and sweeping robes give this standing Guanyin a graceful silhouette. Available at 38 cm (15.0 in) and 48 cm (18.9 in) tall.
A luminous gold-leaf finish flows across the robes and lotus throne, framing a carefully painted face. This 39 cm (15.4 in) brass Willow Guanyin holds a slender branch and a small vase, two familiar symbols of compassion in Buddhist art.
Hejia Ping An means “peace for the whole family,” a wish carried in the raised Chinese characters on the base. Above them, Guanyin holds a willow branch and a slender vase, seated on overlapping lotus petals. Glossy white porcelain brings out the relief work; the Pink & Green finish adds a blush robe, green leaves and a rose-pink lotus.
At 121 cm (47.6 in), this copper Willow Guanyin gives a dedicated shrine a substantial focal point. A leafy branch rises beside the chest, while the other hand lowers a slender water vase above long robes and a double lotus base.
A softly smiling face, a slender floral vase and rounded lotus petals give Linghui Guanyin an inviting presence. Fine gold-colored lines trace the pearly white robes, with turquoise and pink details that are best appreciated up close. This seated porcelain figure stands 32 cm (12.6 in) tall.
Red-orange robes frame a softly gleaming face, with gold-colored borders tracing the folds down to a full lotus seat. This painted brass Guanyin holds a leafy sprig and a narrow water vase. Available in four heights from 22.5 cm (8.9 in) to 48 cm (18.9 in), each shown in its own photograph.
White outer robes frame a warm amber-to-cream gown, with turquoise-colored accents and pink-tipped lotus petals. This standing porcelain Guanyin brings color to a home altar, console table or display cabinet. Choose from four heights, each shown in its own front-view photograph.
Orange-red robes settle into deep burgundy above an elaborate gold-toned lotus pedestal. Cast in brass, hand-painted and accented with gold leaf, this Willow Guanyin brings color and a clear devotional focus to a home shrine.
A raised knee opens the seated pose beneath a lifted willow and upright vase. Glossy white ceramic follows the sleeves and lotus petals down to a sculpted wave pedestal, with modeled folds continuing around the back.
Gold-colored robes fall in broad, patterned folds over a deep brown lotus throne. Seated with a willow sprig and a slender vase, this South Sea Guanyin brings a composed, ceremonial presence to a home altar. At 42 cm (16.5 in) high, it is a substantial focal point, with finer details that reward a closer look.
A curved willow rises beside the face while a slender vase rests on the open palm. This brass South Sea Guanyin sits above two rows of ribbed lotus petals, with warm golden highlights and darker folds. Heights range from 12 cm (4.7 in) to 55 cm (21.7 in).
A fine willow sprig rests in Guanyin’s raised hand, balanced by the slender vase held close to her body. The openwork flame halo gives this standing brass Kuan Yin a clear, graceful outline. In antique tea-gold or coral and gold, it offers a warm focal point for an altar, a console or a place set aside for reflection.
A willow branch curves across the chest, while the lowered hand tips a small vase toward the lotus leaf below. This glazed white Yangzhi Guanyin is made in Dehua with a refillable dripping-water design. At 41.5 cm (16.3 in) tall, its slender standing form suits a personal shrine or a dedicated display shelf.
