A seated Guan Yin can be upright and composed, or more relaxed in the arrangement of the legs and body. This collection is organized by posture, leaving room for different subjects, materials and sizes. A lotus seat is one possible support; it does not define every seated statue.
For a home altar, consider the eye level at which you will see the face and the depth occupied by the base. The material and actual dimensions of each Kuan Yin are given with the piece. Water Moon Guanyin is a particular subject within the wider world of seated figures, while standing Quan Yin statues offer a different relationship to the surrounding space.
Showing 1–16 of 60 results
An eight-sided pedestal gives this seated Guanyin a distinct, architectural base. Above it, deeply lined lotus petals, a slender vase and flowing robes are finished in glossy Dehua white porcelain. At 43 cm (16.9 in) tall, the figure makes a substantial focal point for a home altar.
A lotus opening above curling waves gives this Baolian Guanyin its distinctive base. The seated figure holds a slender vase and a small sprig. Made in Dehua, with plain white porcelain and five painted color schemes to suit an altar or a place for quiet reflection.
White robes with gold-tone edging frame the softly smiling face of this Baoxiang Guanyin statue. She holds a slender, gold-tone vase above pink-tipped lotus petals and a blue-green, wave-patterned base. The ceramic figure is 29 cm (11.4 in) tall.
A round jewel rests in the palms of Baozhu Guanyin; the Jingping form holds a slender vase instead. Both wear white glazed robes traced with gold-colored lines and sit on a lotus with pink-tipped petals. Made in Dehua, these painted ceramic figures are offered in the three combinations shown below.
A slender water vase rests in Guanyin’s left hand, while carved robes gather over a rounded lotus seat. The warm boxwood and compact scale suit a small home altar or shelf. Natural wood comes in four heights; gold accents are available on the 16 cm (6.3 in) version.
Guanyin sits calmly above a dragon-headed fish, one hand raised and a small water vessel held over her knee. Warm brass tones pick out the scales, flowing robes and broad, curling tail. At 19.5 cm (7.7 in) high, this distinctive sculpture fits a personal altar or display shelf.
One knee raised and a scroll held loosely in the left hand, Chijing Guanyin has the ease of someone pausing over a passage. Glossy ivory porcelain follows the long folds of the robe down to a pierced rock seat. At 34 cm (13.4 in) tall, the figure gives a study or personal shrine a distinct focus.
Soft blue robes, a white veil and pink lotus petals give Cilian Guanyin a gentle palette for a home shrine. One hand carries a willow branch; the other supports a slender vase. Made in Dehua ceramic, this seated statue stands 30.5 cm (12.0 in) tall.
Siwei means thought or reflection. Here, a lowered gaze, one raised hand and a relaxed seated pose give that idea a visible form. Textured teal robes contrast with the smooth cream-white face, fingers and ornamental necklace.
A flame-edged halo rises above Guanyin’s calm face, while the mythical Hou crouches beneath her with its tail curled upward. Cast in copper with a warm reddish-brown surface, this 40 cm (15.7 in) statue gives a shrine or display cabinet a distinctive sculptural focal point.
Warm copper and a broad lotus throne give this seated Willow Guanyin a substantial presence. A leafy sprig rises beside the face; a slender water vase lies across the opposite palm. Four heights range from 22.5 cm (8.9 in) to 48.2 cm (19.0 in), with a photograph for each size.
A flame-shaped halo rises behind the crown of this small Foguang Guanyin statue. Her raised hand and slender vase sit above a rounded lotus seat. The figure stands 15 cm (5.9 in) tall, with a warm peach pink tone that continues across the face, robes and base.
Palms meet at the heart while the outer arms lift a lotus and form a delicate open gesture. This four-armed Guanyin gives the compassion of Chenrezig a visible place in a personal shrine. White porcelain emphasizes the sculpted folds and ornaments; the painted versions introduce gold-colored lines or red robes above a deep blue lotus.
A luminous gold-leaf finish flows across the robes and lotus throne, framing a carefully painted face. This 39 cm (15.4 in) brass Willow Guanyin holds a slender branch and a small vase, two familiar symbols of compassion in Buddhist art.
Both hands rest around a raised knee, giving this small boxwood Guanyin an intimate, unhurried character. At 9.5 cm (3.7 in) tall, the carving fits comfortably on a desk or a small altar. Its warm grain, softly lowered eyes and curling robes reward a closer look.
One arm rests loosely on a raised knee while a small lotus supports the lowered foot. Beneath this relaxed figure, carved waves curl through open spaces in the base. Warm small-leaf boxwood and a height of 15 cm (5.9 in) make it a piece to keep close, where the face and fine folds can be appreciated.
