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Child attendants turn a Guanyin sculpture into a group composition. The smaller figures direct attention toward the bodhisattva, and their spacing can change how the whole work is seen. This subject is distinct from Songzi Guanyin with a child.
Consider the whole group when choosing a Guan Yin for an altar: base width, depth and clear sightlines to the accompanying figures matter alongside height. A Kuan Yin composition may use a shared base or separate elements, so the individual listing should explain what is included. The number and identity of the attendants, as well as material and size, belong to the particular Quan Yin work.