The vase is the identifying attribute in this group of Guan Yin statues. Often described as Jingping Guanyin, the subject can be expressed through different postures, materials and ways of holding the vessel. A Quan Yin with a vase does not necessarily depict the act of pouring water.
The hands and vessel are worth examining closely: together they can create a compact, quiet composition or a more open gesture. For related subjects, compare Guanyin with a willow branch and water-pouring Kuan Yin statues. The distinction rests on what is depicted, while the dimensions and material help you choose a piece for your own altar or display.
Showing 17–32 of 38 results
A tall, slender composition gives Lihe Guanyin its character. Long robes curl at the hem above an open lotus, while one hand supports a slender vase. White robes with gold-tone edging and pale blue robes with pink accents offer two distinct treatments of this standing ceramic figure.
A softly smiling face, a slender floral vase and rounded lotus petals give Linghui Guanyin an inviting presence. Fine gold-colored lines trace the pearly white robes, with turquoise and pink details that are best appreciated up close. This seated porcelain figure stands 32 cm (12.6 in) tall.
Red-orange robes frame a softly gleaming face, with gold-colored borders tracing the folds down to a full lotus seat. This painted brass Guanyin holds a leafy sprig and a narrow water vase. Available in four heights from 22.5 cm (8.9 in) to 48 cm (18.9 in), each shown in its own photograph.
At 11 cm (4.3 in) tall, this little Guanyin fits beside a few books or on a personal altar. Closed eyes, rounded cheeks and a tiny vase give the figure a gentle character. The layered lotus pedestal is part of the statue; a separate wood stand is available with the set.
A narrow-necked vase rests above a full, layered lotus seat. This upright Nanhai Guanyin from Dehua comes in five white porcelain sizes and one pink-and-gold painted ceramic version. Faces, crowns and lotus details vary by size; each option has its own photograph.
White outer robes frame a warm amber-to-cream gown, with turquoise-colored accents and pink-tipped lotus petals. This standing porcelain Guanyin brings color to a home altar, console table or display cabinet. Choose from four heights, each shown in its own front-view photograph.
A green willow branch and upright vase stand out against the soft pink porcelain. This seated Guanyin rests one foot on a rounded lotus pedestal, with the other knee raised beneath flowing robes. Pink pairs softly modeled features with a gold-colored vase; Pink with Gold Accents adds painted hair, facial details and fine robe outlines.
A gold-toned face, amber-brown robes and a sweeping flame halo rise above the mythical Hou. This brass Putuo Guanyin stands 40 cm (15.7 in) high overall and weighs approximately 7 kg (15.4 lb), with a broad wave base that gives the seated composition a substantial presence.
Layered lotus petals form a broad seat beneath Quanlian Guanyin. One hand is raised beside the chest; the other supports a slender vase. The white model keeps the folds and petals in a single porcelain tone, while the yellow-robed figure adds floral painting, a turquoise vase and pink-tipped petals.
Orange-red robes settle into deep burgundy above an elaborate gold-toned lotus pedestal. Cast in brass, hand-painted and accented with gold leaf, this Willow Guanyin brings color and a clear devotional focus to a home shrine.
A small parrot rests beside Guanyin, with lotus flowers rising from the waves below. The antique tea-brown finish and gold-toned details give this 39 cm (15.4 in) brass sculpture a warm presence on a shrine or substantial display table.
A curved ruyi rests across Guanyin’s hands above a base of lotus blossoms and curling waves. Its name means “as you wish”—a fitting sentiment for a gift marking a new beginning.
A small figure with a flowing silhouette: Guanyin holds a slender vase above a lotus and curling waves, while a strand of beads falls beside the robes. At 15.5 cm (6.1 in) high, this gray figurine brings the sea-crossing subject to a desk, shelf or compact personal altar.
The leaf is almost boat-like: its two ends rise above a curling wave, while the standing figure remains still. At 55 cm (21.7 in), this white porcelain Sea-Crossing Guanyin offers a tall focal point for an altar, with the broad leaf giving the sculpture an unusually open silhouette.
A raised knee opens the seated pose beneath a lifted willow and upright vase. Glossy white ceramic follows the sleeves and lotus petals down to a sculpted wave pedestal, with modeled folds continuing around the back.
Blue waves curl around the foot of this seated Guanyin, below green leaves and a ring of pink-tipped lotus petals. An upright floral vase rests in her lower hand. The Shuilang design comes in white robes with gold-tone accents or pale blue robes, with a different choice of heights for each finish.
