The vase is the identifying attribute in this group of Guan Yin statues. Often described as Jingping Guanyin, the subject can be expressed through different postures, materials and ways of holding the vessel. A Quan Yin with a vase does not necessarily depict the act of pouring water.
The hands and vessel are worth examining closely: together they can create a compact, quiet composition or a more open gesture. For related subjects, compare Guanyin with a willow branch and water-pouring Kuan Yin statues. The distinction rests on what is depicted, while the dimensions and material help you choose a piece for your own altar or display.
Showing 33–38 of 38 results
Cupped hands hold a slender vase above a softly folded lotus leaf. Pale peach porcelain continues across the face, sleeves and low seat of this small Guanyin. At 14.5 cm (5.7 in) high, the figure fits a compact altar without a tall pedestal.
Gold-colored robes fall in broad, patterned folds over a deep brown lotus throne. Seated with a willow sprig and a slender vase, this South Sea Guanyin brings a composed, ceremonial presence to a home altar. At 42 cm (16.5 in) high, it is a substantial focal point, with finer details that reward a closer look.
A curved willow rises beside the face while a slender vase rests on the open palm. This brass South Sea Guanyin sits above two rows of ribbed lotus petals, with warm golden highlights and darker folds. Heights range from 12 cm (4.7 in) to 55 cm (21.7 in).
A tall, narrow presence for a personal altar: this white porcelain Guanyin stands 52 cm (20.5 in) high above a richly shaped lotus pedestal. The raised hand and slender vase draw attention to the figure’s gesture, while long folds keep the overall shape calm and flowing.
Curling clouds give this seated Guanyin a broad, low foundation beneath the pointed lotus petals. The all-white versions draw attention to the sculpted form; painted options bring pink lotus tips, gold-tone lines or richly colored robes. Xiangyun, “auspicious clouds,” makes this a thoughtful choice for a devotional space or a gift of good wishes.
A slender vase rests in one palm while the other hand rises beside the shoulder. Zuolian Guanyin sits with one knee raised above a rounded lotus seat, the robe falling in long folds around the feet. The series includes plain white porcelain and four painted finishes; each available height and finish has its own photograph.
