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Layered lotus petals form a broad seat beneath Quanlian Guanyin. One hand is raised beside the chest; the other supports a slender vase. The white model keeps the folds and petals in a single porcelain tone, while the yellow-robed figure adds floral painting, a turquoise vase and pink-tipped petals.
A flame-shaped halo rises behind the crown of this small Foguang Guanyin statue. Her raised hand and slender vase sit above a rounded lotus seat. The figure stands 15 cm (5.9 in) tall, with a warm peach pink tone that continues across the face, robes and base.
Both hands cradle a slender vase at the center of this Heye Guanyin statue. Rounded lotus petals sit above a broad, curling leaf, giving the seated figure a generous base. Cream tones emphasize the sculpted folds; the painted versions bring pink, turquoise or a pearly sheen to the robes and lotus.
A tall, slender composition gives Lihe Guanyin its character. Long robes curl at the hem above an open lotus, while one hand supports a slender vase. White robes with gold-tone edging and pale blue robes with pink accents offer two distinct treatments of this standing ceramic figure.
Blue waves curl around the foot of this seated Guanyin, below green leaves and a ring of pink-tipped lotus petals. An upright floral vase rests in her lower hand. The Shuilang design comes in white robes with gold-tone accents or pale blue robes, with a different choice of heights for each finish.
Two small boys sit within the folds of Guanyin’s white robes, one supported close to her chest and the other resting in her lap. Pink-tipped lotus petals frame the group. At 40 cm (15.7 in) tall, this Zizai Songzi statue gives the child-giving Guanyin theme a generous, seated form for a home shrine.
Soft blue robes, a white veil and pink lotus petals give Cilian Guanyin a gentle palette for a home shrine. One hand carries a willow branch; the other supports a slender vase. Made in Dehua ceramic, this seated statue stands 30.5 cm (12.0 in) tall.
Porcelain ribbons loop behind the shoulders and curl across the robes of this lotus-bearing Guanyin. A small flower rests on her raised palm, above a deeply layered lotus seat. The white glaze brings light to the open curves, giving this 32.5 cm (12.8 in) figure an airy silhouette despite its elaborate detail.
Guanyin stands on a broad lotus leaf above a dragon and curling waves, her hands crossed around a slender, tilted vase. The long robes and lowered gaze give the figure a stillness that contrasts with the movement below. Made in Dehua, in glazed white ceramic.
A willow branch curves across the chest, while the lowered hand tips a small vase toward the lotus leaf below. This glazed white Yangzhi Guanyin is made in Dehua with a refillable dripping-water design. At 41.5 cm (16.3 in) tall, its slender standing form suits a personal shrine or a dedicated display shelf.
A lotus, prayer beads and a scripture scroll distinguish the three sides of this Nanhai Guanyin. The standing figures share a layered lotus pedestal, with a black display stand beneath. Made in Dehua, the sculpture is offered in unglazed white, glossy glazed white, or a painted finish with pink, green and gold accents.
An oval fan of hands surrounds Guanyin, while the central palms meet quietly at the chest. In glossy Dehua white porcelain, the layered arms, small figures above the crown and deep lotus petals give this 46 cm (18.1 in) sculpture its presence. A distinctive focal point for a personal shrine or a collection of Buddhist art.
A child in a red bib sits in Guanyin’s lap, above lotus petals and curling clouds. Made in Dehua, this painted ceramic figure has ivory robes, fine gold-tone lines and a gently smiling face. Available with a boy or a girl; both stand 29 cm (11.4 in) tall.
One knee raised and a scroll held loosely in the left hand, Chijing Guanyin has the ease of someone pausing over a passage. Glossy ivory porcelain follows the long folds of the robe down to a pierced rock seat. At 34 cm (13.4 in) tall, the figure gives a study or personal shrine a distinct focus.
A wide, richly modeled crown gives Pilu Guanyin a ceremonial character. Below it, the lowered eyes and hands resting in the lap draw the attention inward. Two rows of lotus petals support the seated figure. The white versions reveal the sculpted details through light and shadow; the decorated versions bring gold to the crown, robes and base.
The oval strand of beads rests against a long, unbroken sweep of white porcelain. Nianzhu Guanyin stands 45.5 cm (17.9 in) tall, with lowered eyes and a robe that widens gently at the feet. The slender silhouette suits a home shrine or a cabinet where the figure can be seen from several sides.
