Showing 81–92 of 92 results
A fan of hands surrounds Guanyin’s joined palms, with crowned faces rising above the central figure. Cast brass and an antique tea-gold finish give the intricate composition warmth and depth. At 65 cm (25.6 in) tall, this thousand-hand Kuan Yin makes a substantial focal piece for a dedicated altar or a spacious interior display.
Three outward-facing figures share a single lotus pedestal in this standing Guanyin. A small child and a slender water vase come into view from different sides. At 20 cm (7.9 in) high, the sculpture fits a compact altar or display shelf.
A lotus rises beside the shoulder while one arm rests on a raised knee. This Water Moon Guanyin keeps the relaxed seated figure at the center of the composition, with the flower adding height to one side and the folded leg grounding the other.
An open, relaxed pose gives this Water Moon Guanyin its character. One knee is raised above the rock-shaped seat, while the other foot rests on a small lotus. The blue-gray surface and fine robe folds suit a simple personal altar or a shelf kept for reflection.
A tall, pierced rock formation rises behind Guanyin while waves curl beneath the seat. This 17.5 cm (6.9 in) gray figure gives a small shelf the layered detail of a miniature landscape, with an open palm and one knee raised in an unhurried seated pose.
Bright hands and a luminous face stand out against the warmer golden robes of this brass Guanyin. Seated on a broad lotus throne, she holds a willow branch beside her shoulder and a slender vase in her lap. At 45 cm (17.7 in) tall, the figure has the scale to anchor a dedicated indoor altar.
A fine willow sprig rests in Guanyin’s raised hand, balanced by the slender vase held close to her body. The openwork flame halo gives this standing brass Kuan Yin a clear, graceful outline. In antique tea-gold or coral and gold, it offers a warm focal point for an altar, a console or a place set aside for reflection.
Curling clouds give this seated Guanyin a broad, low foundation beneath the pointed lotus petals. The all-white versions draw attention to the sculpted form; painted options bring pink lotus tips, gold-tone lines or richly colored robes. Xiangyun, “auspicious clouds,” makes this a thoughtful choice for a devotional space or a gift of good wishes.
A child in a red bib sits in Guanyin’s lap, above lotus petals and curling clouds. Made in Dehua, this painted ceramic figure has ivory robes, fine gold-tone lines and a gently smiling face. Available with a boy or a girl; both stand 29 cm (11.4 in) tall.
A willow branch curves across the chest, while the lowered hand tips a small vase toward the lotus leaf below. This glazed white Yangzhi Guanyin is made in Dehua with a refillable dripping-water design. At 41.5 cm (16.3 in) tall, its slender standing form suits a personal shrine or a dedicated display shelf.
Two small boys sit within the folds of Guanyin’s white robes, one supported close to her chest and the other resting in her lap. Pink-tipped lotus petals frame the group. At 40 cm (15.7 in) tall, this Zizai Songzi statue gives the child-giving Guanyin theme a generous, seated form for a home shrine.
A slender vase rests in one palm while the other hand rises beside the shoulder. Zuolian Guanyin sits with one knee raised above a rounded lotus seat, the robe falling in long folds around the feet. The series includes plain white porcelain and four painted finishes; each available height and finish has its own photograph.
