Porcelain belongs to the wider ceramic family. When choosing a Guan Yin statue, look at the material specified for the individual piece as well as its appearance: painted decoration and an unpainted white surface can both occur on porcelain. The same subject may also be made in other ceramic bodies.
For the Dehua white porcelain tradition, explore Blanc de Chine Guanyin. A porcelain Kwan Yin figure can be chosen for the modeling of the face and robes, while its height and base dimensions determine how it fits an altar or display cabinet.
Posture offers a separate way to refine the selection. Compare seated Kuan Yin statues and standing Quan Yin figures without treating a particular lotus base, color or size as a requirement of the material.
Showing 33–41 of 41 results
A tall, narrow presence for a personal altar: this white porcelain Guanyin stands 52 cm (20.5 in) high above a richly shaped lotus pedestal. The raised hand and slender vase draw attention to the figure’s gesture, while long folds keep the overall shape calm and flowing.
Cream-white palms meet at the heart of this Hezhang Guanyin. Muted teal robes spread around the crossed legs, their fine, sandy texture contrasting with the smooth face and hands. The tall crown and curling ribbons give the seated figure its distinctive outline.
An oval fan of hands surrounds Guanyin, while the central palms meet quietly at the chest. In glossy Dehua white porcelain, the layered arms, small figures above the crown and deep lotus petals give this 46 cm (18.1 in) sculpture its presence. A distinctive focal point for a personal shrine or a collection of Buddhist art.
A lotus rises beside the shoulder while one arm rests on a raised knee. This Water Moon Guanyin keeps the relaxed seated figure at the center of the composition, with the flower adding height to one side and the folded leg grounding the other.
Curling clouds give this seated Guanyin a broad, low foundation beneath the pointed lotus petals. The all-white versions draw attention to the sculpted form; painted options bring pink lotus tips, gold-tone lines or richly colored robes. Xiangyun, “auspicious clouds,” makes this a thoughtful choice for a devotional space or a gift of good wishes.
A child in a red bib sits in Guanyin’s lap, above lotus petals and curling clouds. Made in Dehua, this painted ceramic figure has ivory robes, fine gold-tone lines and a gently smiling face. Available with a boy or a girl; both stand 29 cm (11.4 in) tall.
A willow branch curves across the chest, while the lowered hand tips a small vase toward the lotus leaf below. This glazed white Yangzhi Guanyin is made in Dehua with a refillable dripping-water design. At 41.5 cm (16.3 in) tall, its slender standing form suits a personal shrine or a dedicated display shelf.
Two small boys sit within the folds of Guanyin’s white robes, one supported close to her chest and the other resting in her lap. Pink-tipped lotus petals frame the group. At 40 cm (15.7 in) tall, this Zizai Songzi statue gives the child-giving Guanyin theme a generous, seated form for a home shrine.
A slender vase rests in one palm while the other hand rises beside the shoulder. Zuolian Guanyin sits with one knee raised above a rounded lotus seat, the robe falling in long folds around the feet. The series includes plain white porcelain and four painted finishes; each available height and finish has its own photograph.
